Yesterday, several members of our deanery went to the Chazen Museum of Art on the campus of the University of Wisconsin to see an exhibit of The Saint John’s Bible.
The Saint John’s Bible is the first handwritten and hand-illuminated Bible commissioned by a Benedictine abbey since the invention of the printing press. It represents 15 years of work by a team of calligraphers and artists under Donald Jackson in Wales and a Committee on Illumination and Text at St. John’s Abbey in Collegeville, Minnesota.
The exhibit at the Chazen Museum includes actual pages from The Saint John’s Bible and a display of the calligraphers’ tools, including hand-cut quills and tools for applying gold leaf. There is a video documentary about the process of creating the Bible, and an example of a full-size “Heritage Edition” bound in oak boards and rich leather.
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One of the most arresting pages in The Saint John’s Bible is the frontispiece to the Gospel of John. I own the reproduction volume of the Gospels and Acts, so the featured image for this post is a closeup of that page.
Donald Jackson uses gold leaf to signify God, and the figure of the Word made flesh shines brightly from the cosmic background (based on images from the Hubble telescope) behind him. The art underscores the way John connects the coming of Christ to the account of creation in Genesis.
Verses from Paul’s hymn in the letter to the Colossians appear to the left of the figure:
He is the image of the invisible God,
the firstborn of all creation;
for in him all things in heaven and on earth were created,
things visible and invisible,
whether thrones or dominions or rulers or powers —
all things have been created through him and for him (Col. 1:15-16)
The keyhole along the left edge of the image reminds me of the sermon I heard in Munich on December 26, St. Stephen’s Day. We attended the Eucharist with my wife’s Tante Barbara at her neighborhood church, Maria Trost.
The priest spoke of this opening passage of John’s gospel, describing Jesus as not just the “word” of God, but as the “password” whose coming opens the heavens to human beings.
Stephen, he went on to say, was one of the first who knew the password, who exclaimed as he was being stoned, “Look, I see the heavens opened and the Son of Man standing at the right hand of God!” (Acts 7:56).
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In the introduction to his companion book Word and Image: The Hermeneutics of The Saint John’s Bible, Michael Patella OSB, chair of the Committee on Illumination and Text, writes:
Readers should not be surprised if they find that their engagement with The Saint John’s Bible opens their imaginations, hearts, souls, and intellects to new ways of conceiving God. In addition, they may also find themselves entering a deeper relationship with God (xiv).
The Saint John’s Bible is a beautiful, sacramental expression — in ink and gold leaf, vellum and leather, word and image — of the “immeasurable riches of [God’s] grace in kindness toward us in Christ Jesus,” as today’s Epistle reading suggests.
May meditating on its words and images, and on the Word made flesh whom it reveals, open the heavens to you, too.